First Chapter First Paragraph - A Room Full of Bones

Title: A Room Full of Bones
Author: Elly Griffiths
Publisher: Quercus Publishing Plc (April 1, 2012)
Format: ARC Trade Paperback
Genre: Mystery
Source: Amazon Vine Program
Series: Ruth Galloway, Book 4



Hosted by Diane at Bibliophile by the Sea

Prologue

31 October 2009

The coffin is definitely a health and safety hazard. It fills the entrance hall, impeding the view of the stuffed Auk, a map of King’s Lynn in the 1800s and a rather dirty oil painting of Lord Percival Smith, the founder of the museum. The coffin’s wooden sides are swollen and rotten and look likely to disgorge their contents in a singularly gruesome manner. Any visitors would find its presence unhelpful, not to say distressing. But today, as on most days, there are no visitors to the Smith Museum. The curator, Neil Topham, stands alone at the far end of the hall looking rather helplessly at the ominously shaped box on the floor. The two policemen who have carried it this far look disinclined to go further. They stand, sweating andmutinous in their protective clothing, under the dusty chandelier donated by Lady Caroline Smith (1884–1960).


Overview

On Halloween night, the Smith Museum in King's Lynn is preparing for an unusual event -- the opening of a coffin containing the bones of a medieval bishop. But when forensic archaelogist Ruth Galloway arrives to supervise, she finds the curator, Neil Topham, dead beside the coffin. Topham's death seems to be related to other uncanny incidents, including the arcane and suspect methods of a group called the Elginists, which aims to repatriate the museum's extensive collection of Aborigine skulls; the untimely demise of the museum's owner, Lord Smith; and the sudden illness of DCI Harry Nelson, who Ruth's friend Cathbad believes is lost in The Dreaming -- a hallucinogenic state central to some Indigenous Australian beliefs. Tensions build as Nelson's life hangs in the balance. Something must be done to set matters right and lift Nelson out of the clutches of death, but will Ruth be able to muster herself out of a state of guilt and foreboding in order to do what she does best?