Author: Bryan Gruley
Published: July 7, 2026 by Severn House
Format: Kindle, Hardcover, 444 Pages
Genre: Legal Thriller
Series: Bitterfrost #2
Blurb: Attorney Devyn Payne expects a quieter life when she returns to her hometown of Bitterfrost. Until the bodies of two eight-month-old boys are pulled from the icy depths of the local river. Was it a tragic accident or something more disturbing?
The twins’ distraught parents survived the car crash, but their mother, Catriona Dulaney, was driving. Now she’s charged with killing her babies, and her admission of guilt has leaked online. It should be the most straightforward case Devyn prosecutes all year. And yet, to her, it doesn’t add up.
With time dwindling ahead of the trial, Detective Garth Klimmek questioning Cat’s role in the tragedy, and a suspicious outsider loitering around town, this crime might just be the tip of an iceberg. Devyn’s put two Dulaneys behind bars before. This time, whose side will she take—and what will it cost?
My Opinion: River Deep is the second book in Brian Gruley’s Bitterfrost series, and let me say this upfront: you really do need to start with ‘Bitter Frost’. Gruley often references the first book, but never quite gives new readers enough to stand on. If you jump in here, you’ll feel like you arrived halfway through a conversation and everyone expects you to already know the gossip.
Now, what Gruley does deliver, and deliver well, is that unmistakable mid‑west noir atmosphere. I’m currently in the middle of a heatwave, yet somehow, I’m bundled up under a blanket because Gruley can make Michigan’s cold wind rattle straight through your bones. It’s a neat trick, and honestly, one of the reasons I’ve enjoyed his previous works.
But this one? This one tested my patience.
So many half‑answers, evasions, and characters who seem allergic to giving a straight response. Not miscommunication, it is avoidance. And while that can be delicious in a mystery, here it often felt like wading through fog that never quite lifts. Add in overly descriptive passages, repetitive reminders of things the reader already knows, sudden tangents, and the occasional “I just discovered my thesaurus” word dropped in out of nowhere, and the pacing becomes exhausting. I found myself muttering “get on with it already” more than once, which is never a great sign.
The plot itself has promise. From the earliest pages, you think you know what’s going on, but then you’re dragged through so many side jaunts and slow stretches that the momentum sputters. And just when things finally start to move, Gruley circles back to re‑explain what we’ve already been told. It’s the kind of structure that makes you understand why some readers skim everything but the dialogue. I refused to do that, mostly out of loyalty to the author, but I did wonder what went wrong here.
The good news: the last 80% picks up. A twist, well, more like a bullet, finally shakes the story awake, answers start landing, and the narrative tightens. But even with that improvement, it wasn’t quite enough to pull the book out of the “mediocre” pile for me.
The twins’ distraught parents survived the car crash, but their mother, Catriona Dulaney, was driving. Now she’s charged with killing her babies, and her admission of guilt has leaked online. It should be the most straightforward case Devyn prosecutes all year. And yet, to her, it doesn’t add up.
With time dwindling ahead of the trial, Detective Garth Klimmek questioning Cat’s role in the tragedy, and a suspicious outsider loitering around town, this crime might just be the tip of an iceberg. Devyn’s put two Dulaneys behind bars before. This time, whose side will she take—and what will it cost?
My Opinion: River Deep is the second book in Brian Gruley’s Bitterfrost series, and let me say this upfront: you really do need to start with ‘Bitter Frost’. Gruley often references the first book, but never quite gives new readers enough to stand on. If you jump in here, you’ll feel like you arrived halfway through a conversation and everyone expects you to already know the gossip.
Now, what Gruley does deliver, and deliver well, is that unmistakable mid‑west noir atmosphere. I’m currently in the middle of a heatwave, yet somehow, I’m bundled up under a blanket because Gruley can make Michigan’s cold wind rattle straight through your bones. It’s a neat trick, and honestly, one of the reasons I’ve enjoyed his previous works.
But this one? This one tested my patience.
So many half‑answers, evasions, and characters who seem allergic to giving a straight response. Not miscommunication, it is avoidance. And while that can be delicious in a mystery, here it often felt like wading through fog that never quite lifts. Add in overly descriptive passages, repetitive reminders of things the reader already knows, sudden tangents, and the occasional “I just discovered my thesaurus” word dropped in out of nowhere, and the pacing becomes exhausting. I found myself muttering “get on with it already” more than once, which is never a great sign.
The plot itself has promise. From the earliest pages, you think you know what’s going on, but then you’re dragged through so many side jaunts and slow stretches that the momentum sputters. And just when things finally start to move, Gruley circles back to re‑explain what we’ve already been told. It’s the kind of structure that makes you understand why some readers skim everything but the dialogue. I refused to do that, mostly out of loyalty to the author, but I did wonder what went wrong here.
The good news: the last 80% picks up. A twist, well, more like a bullet, finally shakes the story awake, answers start landing, and the narrative tightens. But even with that improvement, it wasn’t quite enough to pull the book out of the “mediocre” pile for me.