Author: April J. Skelly
Published: April 22, 2025 by Crooked Lane Books
Format: Kindle, Paperback, 336 pages
Genre: Amateur Sleuth
Source: My thanks to Netgalley and the Publisher for the opportunity to read an advanced copy of this book.
Blurb: 1890. American heiress, Cora Beaumont is celebrating her engagement to Terrance Tristan, the second son of a duke. Their union will solidify Cora's place in British society and put her in a rare position of power, but as they embark on the Lady Air’s maiden voyage to England, Cora soon finds that not everyone in society is accepting of her recent engagement, and tensions fly as high as the airship. When a body is discovered the first night on the ship, with a calling card for Cora on the victim, she’s determined to find the killer hidden among the passengers before they come for her next.
As Cora tries to solve the murder without attracting unsavory attention, her fiancé’s wandering eye may cause even more problems for her position in society. Gossip travels fast aboard the airship and bad news could sink the Lady Air, as well as Cora's own social status, before they reach their final destination. When more bodies are discovered, Cora teams up with her soon-to-be brother-in-law, Nicholas, as they scour the ship for clues. If she fails, it won’t only be her reputation visiting the undertaker.
My Opinion: I knew I was in trouble from the first couple of chapters when nothing grabbed me. I switched to the audiobook, hoping it might redeem the experience, but instead it became white noise. This one was background static with delusions of more. Set in 1890, the book attempts to captivate the reader with a high-society mystery aboard an impossibly massive airship, but the atmosphere feels cardboard and cut-and-paste. It has been arranged that American heiress Cora Beaumont is to marry the son of a Duke, in thanks for some favor her father once arranged for getting the duke out of sticky situations. Predictably, she’s engaged to the unremarkable “spare,” Terrance, while the elder brother Nicholas slides into the brooding helper role and the obvious love interest slot. It’s paint-by-numbers romantic plotting.
The tone flip-flops at every turn. Cora is treated like a disposable ornament in one chapter, then suddenly equals the aristocratic men in the next, as if historical constraints and character consistency just weren’t worth editing for. The period language reads more like checked boxes, while modern vocabulary sneaks in, throwing off the immersion entirely.
Comparisons to Deanna Raybourn and Agatha Christie? Please. That’s wishful thinking. The mystery isn’t compelling, the twists come too late to matter, and by the time the “big reveal” happens, I’d already stopped caring. The writing felt clunky, overstated, and desperate to be clever. Honestly, this needed a ruthless red pen and some tough talk.
As Cora tries to solve the murder without attracting unsavory attention, her fiancé’s wandering eye may cause even more problems for her position in society. Gossip travels fast aboard the airship and bad news could sink the Lady Air, as well as Cora's own social status, before they reach their final destination. When more bodies are discovered, Cora teams up with her soon-to-be brother-in-law, Nicholas, as they scour the ship for clues. If she fails, it won’t only be her reputation visiting the undertaker.
My Opinion: I knew I was in trouble from the first couple of chapters when nothing grabbed me. I switched to the audiobook, hoping it might redeem the experience, but instead it became white noise. This one was background static with delusions of more. Set in 1890, the book attempts to captivate the reader with a high-society mystery aboard an impossibly massive airship, but the atmosphere feels cardboard and cut-and-paste. It has been arranged that American heiress Cora Beaumont is to marry the son of a Duke, in thanks for some favor her father once arranged for getting the duke out of sticky situations. Predictably, she’s engaged to the unremarkable “spare,” Terrance, while the elder brother Nicholas slides into the brooding helper role and the obvious love interest slot. It’s paint-by-numbers romantic plotting.
The tone flip-flops at every turn. Cora is treated like a disposable ornament in one chapter, then suddenly equals the aristocratic men in the next, as if historical constraints and character consistency just weren’t worth editing for. The period language reads more like checked boxes, while modern vocabulary sneaks in, throwing off the immersion entirely.
Comparisons to Deanna Raybourn and Agatha Christie? Please. That’s wishful thinking. The mystery isn’t compelling, the twists come too late to matter, and by the time the “big reveal” happens, I’d already stopped caring. The writing felt clunky, overstated, and desperate to be clever. Honestly, this needed a ruthless red pen and some tough talk.
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