Author: Douglas Preston, Lincoln Child
Published: June 3, 2025, by Grand Central Publishing
Format: Audio, Kindle, Hardcover, 355 Pages
Genre: Thriller
Source: My thanks to Netgalley and the Publisher for the opportunity to read an advanced copy of this book.
Series: Nora Kelly #5
Blurb: In the New Mexico badlands, the skeleton of a woman is found—and the case is assigned to FBI Agent Corrie Swanson. The victim walked into the desert, shedding clothes as she went, and then died in agony of heatstroke and thirst. Two rare artifacts are found clutched in her bony hands—lightning stones used by the ancient Chaco people to summon the gods.
Is it suicide or… sacrifice?
Agent Swanson brings in archaeologist Nora Kelly to investigate. When a second body is found—exactly like the other—the two realize the case runs deeper than they imagined. As Corrie and Nora pursue their investigation into remote canyons, haunted ruins, and long-lost rituals, they find themselves confronting a dark power that, disturbed from its long slumber, threatens to exact an unspeakable price.
My Opinion: If you’re planning a long drive and need something gripping enough to make nine hours feel like ninety minutes, Badlands delivers. I literally laughed out loud when one of the characters mentioned listening to a Preston & Child audiobook during a long trek. Felt like an odd full circle moment.
Once again, the writing team has pairs archaeologist Nora Kelly and FBI Agent Corrie Swanson, two women with wildly different temperaments and skill sets who somehow make a compelling crime-solving duo using skill, sarcasm, and just the right field gear, as they navigate some seriously harsh terrain, both literal and moral, in their pursuit of the truth.
Yes, Homer Watt took his sweet time entering the scene, but once he arrived, the energy shifted in all the right ways. And Skip… Skip just can’t help himself. He’s the kind of character you root for while shaking your head.
Between cults, sacrificial rites, shadowy professors, priceless artifacts, and a buffet of ethically challenged individuals, this novel serves up plenty of intellectual insight, intrigue, and a splash of horror. One of the twists blindsided me in the best way. I’d given little thought to one particular character, and that was precisely the misstep the authors were counting on. Way to go, Preston & Child.
Their ability to describe grotesque scenes with vivid detail might test your gag reflex, but somehow, not including those moments would feel like cheating the reader out of the raw intensity their work is known for. It’s part of their signature that readers are expecting.
What I love most is how this writing team consistently introduces readers to concepts and histories that feel like secret chapters ripped from dusty archives. I left the book not only entertained but curious, diving into rabbit holes I hadn’t even known existed before page one.
When Nora and Corrie are driving the narrative (with Homer hitching a ride now and then), I’m in. The ending? Intense. It grabs you, shakes you, leaves you breathless, and doesn’t quite let go even after you’ve hit the last page.
Is it suicide or… sacrifice?
Agent Swanson brings in archaeologist Nora Kelly to investigate. When a second body is found—exactly like the other—the two realize the case runs deeper than they imagined. As Corrie and Nora pursue their investigation into remote canyons, haunted ruins, and long-lost rituals, they find themselves confronting a dark power that, disturbed from its long slumber, threatens to exact an unspeakable price.
My Opinion: If you’re planning a long drive and need something gripping enough to make nine hours feel like ninety minutes, Badlands delivers. I literally laughed out loud when one of the characters mentioned listening to a Preston & Child audiobook during a long trek. Felt like an odd full circle moment.
Once again, the writing team has pairs archaeologist Nora Kelly and FBI Agent Corrie Swanson, two women with wildly different temperaments and skill sets who somehow make a compelling crime-solving duo using skill, sarcasm, and just the right field gear, as they navigate some seriously harsh terrain, both literal and moral, in their pursuit of the truth.
Yes, Homer Watt took his sweet time entering the scene, but once he arrived, the energy shifted in all the right ways. And Skip… Skip just can’t help himself. He’s the kind of character you root for while shaking your head.
Between cults, sacrificial rites, shadowy professors, priceless artifacts, and a buffet of ethically challenged individuals, this novel serves up plenty of intellectual insight, intrigue, and a splash of horror. One of the twists blindsided me in the best way. I’d given little thought to one particular character, and that was precisely the misstep the authors were counting on. Way to go, Preston & Child.
Their ability to describe grotesque scenes with vivid detail might test your gag reflex, but somehow, not including those moments would feel like cheating the reader out of the raw intensity their work is known for. It’s part of their signature that readers are expecting.
What I love most is how this writing team consistently introduces readers to concepts and histories that feel like secret chapters ripped from dusty archives. I left the book not only entertained but curious, diving into rabbit holes I hadn’t even known existed before page one.
When Nora and Corrie are driving the narrative (with Homer hitching a ride now and then), I’m in. The ending? Intense. It grabs you, shakes you, leaves you breathless, and doesn’t quite let go even after you’ve hit the last page.
